

Tshepiso
Hlongwane
Biography
Tshepiso Hlongwane is a Tshwane University of Technology (TUT) graduate and
emerging performing arts practitioner, researcher, and academic. Since joining the
Department of Performing Arts in 2020, he has excelled in his Acting specialisation,
graduating Cum Laude with a Postgraduate Diploma in Performing Arts and receiving
the Executive Dean’s Award as the top Advanced Diploma student in 2023.
His performance credits include Two Trains Running (2022) by August Wilson, Party
Time (2024) by Harold Pinter, both directed by Dr Lemmer at TUT and Transcendent
(2026) at the South African State Theatre, directed by Zaza Cala. He also coproduced Shattered Bliss at the 2023 TUT Arts Festival and TX Theatre.
In 2025, Tshepiso served as a panellist at Artivism, a symposium addressing GenderBased Violence (GBV) through the arts and social engagement. He is currently
pursuing a research Master’s degree while continuing to build his profile as a versatile
theatre practitioner
Ntlhomole Tshethlo
Performance: NTLHOMOLE TSHETLHO (remove a thorn from me)
Ntlhomole Tshetlho draws on the symbolism of the devil's thorn, representing the
painful social conditioning of toxic masculinity that must be removed before healing
and reconciliation can begin.
Ntlhomole Tshetlho is an interdisciplinary performance combining acting and dance to
explore healing, trauma, and reconciliation through the lens of gender-based violence
(GBV). Rather than depicting violence itself, the work examines the emotional journey
of a young man before violence emerges. Naturally gentle, empathetic, and
emotionally sensitive, he is raised within a culture of toxic masculinity that teaches him
to suppress vulnerability and equate manhood with emotional control. As he grows,
he struggles to reconcile his authentic self with society's expectations. His inability to
understand women's emotional experiences, coupled with his expectation that they
should respond to his logic, leads to increasing frustration and emotional instability.
The performance does not justify violence but investigates how unresolved trauma,
rigid gender norms, and emotional illiteracy can become precursors to it.
The narrative centres on a transformative conversation between the young man and
an older woman, who guides him towards self-awareness, empathy, and emotional
healing. Through dialogue and embodied movement, the performance symbolically
removes the "thorn" of harmful masculine conditioning, allowing him to reconnect with
his compassionate identity and develop a deeper understanding of emotional
difference.
The work responds to the ongoing GBV crisis. The World Health Organization (2021)
estimates that nearly one in three women globally experience physical and/or sexual
violence during their lifetime, while research links rigid masculine norms with increased
aggression and poorer emotional wellbeing among men (Jewkes, Flood & Lang, 2015;
Heilman, Barker & Harrison, 2017). By positioning performance as a space for
reflection and healing, Ntlhomole Tshetlho invites audiences to rethink masculinity,
emotional vulnerability, and reconciliation as essential pathways to preventing
violence.
Keywords: Toxic Masculinity; Emotional Regulation; Healing; Reconciliation
