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Roland Moses

Roland
Moses

Biography

Dr Roland Moses is a senior lecturer at the Tshwane University of Technology. He completed the Doctorate in Literature and Philosophy (DLitt et Phil) in Musicology and MMus (cum laude) in Jazz Performance, Composition and Arranging and a MBA in Education Management at Haaga Helia University for Applied Sciences in Finland. He attended Goteborg University in Sweden as part of a student exchange program and has performed at numerous local and international Jazz festivals. His debut album has received numerous awards and international airplay. Roland presented master classes, lectures and concerts at Berklee College of Music (Boston, USA), Stockton University (New Jersey, USA), University of Pennsylvania (Philadelphia, USA) and UNIRIO (Brazil). His doctoral research focused on a music literacy program for church musicians. Other research interests lie in the area of religion and identity, Jazz performance evaluation, success rate, decolonization, curriculum development and online learning. Recognized with multiple awards for his teaching and creative research, Dr. Moses is also a YAMAHA artist, artistic director for the YAMAHA Young Soloist Competition and former vice-president of the South African Jazz Educators Association.

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Composing Tomorrow: Artivism, Climate Crisis, and Gender Equity in Sound

This presentation explores original musical compositions as artivist interventions, using creative practice to advance climate justice, environmental awareness, and gender equity. Grounded in Critical Theory (Adorno, Horkheimer), Social Justice Frameworks (Fraser), Cultural Studies (Hall) and arts-based research, the project positions music as a catalyst for dialogue and systemic change. Compositions such as ‘The River of Life’, ‘The Blue Grotto’, ‘Night Skies’, ‘Brazilian Ballad’ (addressing deforestation’s impact water ecosystems and air quality), ‘Listen’ (promoting environmental mindfulness), and ‘Forest Echoes’ (foregrounding forest ecologies and acoustic biodiversity) evoke elemental environments and highlight the fragility of these systems. These works call for collective, global action to confront climate crises. In parallel, ‘Ode to Mankind’ and ‘While She Sleeps’ address gender-based violence through memorialising themes and affective harmonies, advocating for global solidarity and transformative justice. ‘B L U E S’ (Believe, Lead, Uplift, Encourage, Support) and Monk’s Blues reimagine jazz traditions as vehicles for social consciousness, emphasizing mental wellness, resilience, and creative freedom. ‘Mandela Sanctuary’ reflects reconciliation and unity as praxis, while ‘Funky Stomp’ celebrates cultural exchange and the vitality of shared creativity. Methodology combines practice-led inquiry, participatory action research, and sonic ethnography, integrating site-specific recordings into compositional processes. Mixed qualitative methods—peer review, thematic analysis, and musical-structural analysis—evaluate how these works catalyse awareness and inspire commitments to action. By situating music within an interdisciplinary artivism framework, this presentation demonstrates how creative practice can reimagine futures where environmental sustainability, gender justice, and human dignity become lived realities. It invites participants to consider how aesthetic insight can inform policy, pedagogy, and community engagement, affirming the role of art as a powerful agent for systemic transformation.


Decolonial Futures: Performing Art, Identity, and Cultural Reconquest through Jazz and Hybrid Soundscapes

This paper explores three concert projects—Jazzscapes, Paths of Light Quintet, and Paths of Light String Quartet—as performative interventions in the pursuit of decolonial futures. Framed through Social Identity Theory (Tajfel & Turner, 1979), these works interrogate how music can function as a site of cultural reconquest, identity negotiation, and dialogical exchange. Each project mobilizes jazz and hybridity to challenge dominant norms, reclaim marginalized narratives, and articulate new possibilities for global consciousness. Jazzscapes asserted jazz as a counter-identity within a classical-dominated concert series, enacting social categorization and positive distinctiveness. By juxtaposing American Jazz icons - Ellington and Coltrane with South African jazz icons - Abdullah Ibrahim and Bheki Mseleku, the performance reclaimed African voices historically sidelined in the jazz canon. Its minimalist duo format symbolized identity as intentional and deeply personal, foregrounding improvisation as a tool of resistance and renewal. The Paths of Light Quintet extended this ethos by elevating South African jazz within a global framework. Through collaborative risk-taking and cultural hybridity, the quintet embodied creativity as identity expression, expanding the jazz canon and positioning music as “identity in motion.” This act of cultural reconquest affirmed local traditions while situating them within transnational dialogues. Finally, the Paths of Light String Quartet interrogated genre hierarchies by merging jazz piano trio aesthetics with classical chamber music. This project proposed traditions as evolving dialogues, where improvisation became thematic development rather than rupture. By blurring boundaries, it enacted a decolonial gesture—refusing fixed categories and asserting fluid, dialogical identities. Collectively, these concerts demonstrate how jazz-based practices can operate as artivist strategies for decolonial futures—challenging hegemonies, affirming ingroup distinctiveness, and fostering intercultural solidarity. They invite us to reconceptualize music not merely as aesthetic experience but as a transformative medium for cultural reconquest and identity work.


Echoes of Change

This concert presents original compositions that embody global artivism — the creative fusion of art and activism — using music as a catalyst for awareness, dialogue, and positive change. Each piece serves as a bridge between cultures and causes, inviting audiences not only to listen but to act. The River of Life, The Blue Grotto, and Night Skies celebrate the elemental forces of water and the clarity of unpolluted skies. These works remind us of the planet’s delicate balance and call for united, cross-border efforts to protect our shared environment. Ode to Mankind and While She Sleeps address the urgent issue of gender-based violence. Through moving themes and emotive harmonies, they stand as both a memorial to victims and a rallying cry for a global commitment to justice and safety for all. B-L-U-E-S (Believe, Lead, Uplift, Encourage, Support) transforms the blues tradition into a message of solidarity, urging collective responsibility in shaping a more compassionate world and highlighting the importance of nurturing mental wellness as part of building resilient communities. Monk’s Blues bridges jazz tradition with contemporary social consciousness, channeling the spirit of Thelonious Monk’s bold individuality to inspire creative freedom, challenge convention, and advocate for the power of artistic expression in shaping social change. Mandela Sanctuary pays tribute to Nelson Mandela’s legacy of reconciliation and unity, inviting listeners to reflect on the power of forgiveness and the necessity of building bridges across divides. Funky Stomp brings an infectious energy that celebrates diversity and cultural exchange. Its rhythmic drive symbolizes the joy and vitality that emerge when communities come together, transcending borders through shared creativity. Adding to this tapestry of sound, Brazilian Ballad, Listen, and Forest Echoes evoke themes of cultural dialogue and environmental consciousness, weaving sonic landscapes that speak to both the beauty and fragility of our world. Each composition is an act of dialogue — between cultures, between causes, and between hope and reality — inspiring audiences to engage with the urgent challenges of our shared world.

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