

Karendra
Devroop
Biography
Karendra Devroop is a jazz saxophonist and professor of music within the Dept of Music at the Faculty of Arts and Design at TUT. He is an NRF rated researcher who is regularly called upon as a peer-reviewer for the NRF, national and international journals and as postgraduate examiner in South Africa and internationally. In addition to his research, Devroop is a performing artist with 8 full length CD recordings as a leader and several recordings as a sideman with ensembles such as the Dallas Jazz Orchestra. He has performed at major festivals across the USA, Europe, Asia and Africa as side stage act for Chicago, Earth Wind and Fire and Jill Scott. In addition to having performed with several international artists such as Hans Vroomans, Hein van de Geyn, Matteo Mera, Dan Tepfer and Claudio Sanna amongst others, he has performed with South Africa’s leading jazz, classical and Pop artists including but not limited to Siboingile Khumalo, Nduduzo Makhathini, Fdey Faku, Vicky Samson, Jesse Clegg, MICASA and Zoe Modiga.
SAMTIC, Artificial Intelligence, and Youth Employment: Reimagining Music Technology Education for Skills Development and Empowerment
The South African Music Technology and Innovation and Capacity-Building (SAMTIC) project is an Erasmus+ funded initiative that responds directly to youth unemployment, skills shortages, and unequal access to digital education in South Africa. Led by Tshwane University of Technology in partnership with European institutions such as Hochschule für Musik Nürnberg and University of Sofia St Kliment Ohridski, SAMTIC positions artificial intelligence (AI) as a critical tool for training, employability, and youth empowerment within music technology education. This presentation examines how SAMTIC recurriculates undergraduate and postgraduate music technology programmes to integrate contemporary AI-driven tools across digital audio production, music composition, recording, post-production, and music for film, television, gaming, and online platforms. By aligning curriculum revision with staff training, upgraded laboratories, and real-world production experiences, the project equips students with industry-relevant digital and AI competencies that are increasingly demanded in the global creative economy. In a context where youth unemployment remains critically high and traditional employment pathways are limited, SAMTIC emphasises skills that support self-employment, entrepreneurship, freelance practice, and participation in digital creative industries as promoted by Artivism. AI-assisted workflows—such as intelligent audio processing, adaptive composition tools, and automated production systems—are introduced not as replacements for creativity, but as enablers that expand access, efficiency, and professional readiness for emerging musicians and producers for the workplace. The presentation suggests that integrating AI into music technology education can function as a catalyst for social mobility when embedded within a structured capacity-building framework. SAMTIC demonstrates how targeted AI training, combined with international collaboration and contextualised curricula, can empower young people with transferable digital skills, enhance employability, and contribute meaningfully to addressing youth unemployment in South Africa.
