

Karendra
Devroop
Biography
Karendra Devroop is a jazz saxophonist and professor of music within the Dept of Music at the Faculty of Arts and Design at TUT. He is an NRF rated researcher who is regularly called upon as a peer-reviewer for the NRF, national and international journals and as postgraduate examiner in South Africa and internationally. In addition to his research, Devroop is a performing artist with 8 full length CD recordings as a leader and several recordings as a sideman with ensembles such as the Dallas Jazz Orchestra. He has performed at major festivals across the USA, Europe, Asia and Africa as side stage act for Chicago, Earth Wind and Fire and Jill Scott. In addition to having performed with several international artists such as Hans Vroomans, Hein van de Geyn, Matteo Mera, Dan Tepfer and Claudio Sanna amongst others, he has performed with South Africa’s leading jazz, classical and Pop artists including but not limited to Siboingile Khumalo, Nduduzo Makhathini, Fdey Faku, Vicky Samson, Jesse Clegg, MICASA and Zoe Modiga.
Fostering Ethical Artificial Intelligence in Music Technology: Perspectives from the SAMTIC Consortium
The rapid integration of artificial intelligence (AI) into music production, composition, and education presents both transformative possibilities and significant ethical challenges. This panel discussion examines how the Erasmus+ funded SAMTIC project provides an international, capacity-building framework for embedding ethical AI practices within music technology education across South African and European higher education institutions. Drawing on collaboration between South African partners—University of Pretoria, University of the Witwatersrand, and University of South Africa—and European centres of digital innovation, the panel explores how curriculum design, staff training, and infrastructure upgrades can integrate ethical reflection into hands-on AI-based music training. Key discussion areas include authorship and ownership in AI-generated music, algorithmic bias, data ethics, transparency of creative AI tools, and the safeguarding of local and indigenous musical knowledge. Particular attention is given to the Global South context, where unequal access to technology and historical exploitation heighten the need for responsible AI adoption. The panel argues that ethical AI in music technology must be treated as a pedagogical, cultural, and social imperative rather than a purely technical concern. By embedding ethical inquiry into creative practice, collaborative research, and artistic production, SAMTIC offers a model for values-driven digital transformation. The discussion concludes by highlighting the role of international partnerships in shaping inclusive, accountable, and culturally sustainable futures for AI in music education.
